Eleven Missing Days
a new dance/performance project by choreographer Meg Wolfe, at Unknown Theater in Hollywood as part of their 2008 Dance Series.
WHEN: July 10-13th, 2008.
Performances are Thursday- Saturday at 8:00pm, Sundays at 6:00pm.
WHERE: Unknown Theater: 1110 Seward Street Los Angeles, CA 90038
TICKET INFO: (323) 466-7781 | $24 at the door, $18 online. www.unknowntheater.com
design by Jeremy Hahn
Doomed Love. Death. A Femme Fatale. Eleven Missing Days uses the stylized, low-budget world of film noir as a starting point in this contemporary dissection and chronicle of the theme of disappearance, up-ending the creative process itself.
Collaborators on the hybrid dance/theater/audio project include performers Jeremy Hahn, Rachel Lopez, Nancy Sandercock, and Rae Shao- Lan Blum; writer Mikki del Monico; and composer/sound artist Aaron Drake; with lighting design by JaNelle Weatherford.
The development of Eleven Missing Days is supported in part by an Artists' Resource for Completion grant from The Durfee Foundation; and by the UCLA Department of World Arts and Cultures Hothouse Residency (2007).
a new dance/performance project by choreographer Meg Wolfe, at Unknown Theater in Hollywood as part of their 2008 Dance Series.
WHEN: July 10-13th, 2008.
Performances are Thursday- Saturday at 8:00pm, Sundays at 6:00pm.
WHERE: Unknown Theater: 1110 Seward Street Los Angeles, CA 90038
TICKET INFO: (323) 466-7781 | $24 at the door, $18 online. www.unknowntheater.com
design by Jeremy Hahn
Doomed Love. Death. A Femme Fatale. Eleven Missing Days uses the stylized, low-budget world of film noir as a starting point in this contemporary dissection and chronicle of the theme of disappearance, up-ending the creative process itself.
Collaborators on the hybrid dance/theater/audio project include performers Jeremy Hahn, Rachel Lopez, Nancy Sandercock, and Rae Shao- Lan Blum; writer Mikki del Monico; and composer/sound artist Aaron Drake; with lighting design by JaNelle Weatherford.
The development of Eleven Missing Days is supported in part by an Artists' Resource for Completion grant from The Durfee Foundation; and by the UCLA Department of World Arts and Cultures Hothouse Residency (2007).
Comments