4.23.2009

Work of Meta-Art in the Age of Artificial Reproduction
The flux creates, the corporation permeates. In the synoptic artifice, art objects are deprecations of the iterations of the flux -- a flux that uses the corporation as a parallax to enmesh ideas, patterns, and emotions. With the synergy of the electronic environment, the flux is conceiving a point where it will be free from the corporation to consume immersions into the contortions of the delphic artifice. Work of Meta-Art in the Age of Artificial Reproduction contains 10 minimal flash engines (also refered to as "soundtoys") that enable the user to make speedy audio/visual compositions.

measuring chains, constructing realities
putting into place forms
a matrix of illusion and disillusion
a strange attracting force
so that a seduced reality will be able to spontaneously feed on it


Catherine Daly's work investigates the nuances of modulations through the use of stopframe motion and close-ups which emphasize the Artificial nature of digital media. Daly explores abstract and pithy scenery as motifs to describe the idea of cyber-intuitive artifice. Using pink loops, cathode rays, and allegorical images as patterns, Daly creates meditative environments which suggest the expansion of culture...
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