Alshire, Joan. “Staying News: A Defense of the Lyric.” After Confession: Poetry as Autobiography. Eds. Kate Sontag and David Graham. St. Paul: Graywolf Press, 2001. 14-27.

Eliot, Thomas Sterns. “Tradition and the Individual Talent.” The Sacred Wood: Essays on Poetry and Criticism. New York: Bartleby.com, 2000. http://www.bartleby.com/200/index.html 15 July 2002.

Fenollosa, Ernest. “From The Chinese Written Character as a Medium for Poetry.” Poetics of the New American Poetry. Eds. Donald Allen and Warren Tallman. New York: Grove Press, 1973. 13-17.

Levertov, Denise. “Some Notes on Organic Form.” Poetics of the New American Poetry. Eds. Donald Allen and Warren Tallman. New York: Grove Press, 1973. 312-317.

Matthews, William. “Personal and Impersonal.” After Confession: Poetry as Autobiography. Eds. Kate Sontag and David Graham. St. Paul: Graywolf Press, 2001. 11-13.

yeah, even when I knew him, he really regretted his divorce & fathership...

Olson, Charles. “Projective Verse.” Poetics of the New American Poetry. Eds. Donald Allen and Warren Tallman. New York: Grove Press, 1973. 147-158.

Prevallet, Kristin. “Investigating the Procedure: Poetry and the Source.” Telling it Slant: Avant Garde Poetics of the 1990s. Eds. Mark Wallace and Steven Marks. Tuscaloosa: The University of Alabama Press, 2002. 115-129.

Queneau, Raymond. “Potential Literature.” OuLiPo: A Primer of Potential Literature. Ed. Warren F. Motte, Jr. Normal, IL: Dalkey Archive Press, 1986. 51-64.


ALSO:

from The Chicago Manual of Style and MLA Handbook for Writers of Research Papers: some of the many style rules for quoting poetry.

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