This poem is indebted to Gregory Bateson’s ecologic and dynamic concepts;to René Thom’s catastrophe/chreod theory; and to C.S. Peirce’s concepts ofthreeness. The authors share Ollivier Dyens’s views of technologicalreality and Kenny Goldsmith’s and Dirk Vekemans’s senses of the need torelate to non-human algorithmic potential.

this is part of the intro to Stephanie Strickland and Cynthia Lawson Jaramillo with video by Paul Ryan

chreod comments coming soon


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