This poem is indebted to Gregory Bateson’s ecologic and dynamic concepts;to René Thom’s catastrophe/chreod theory; and to C.S. Peirce’s concepts ofthreeness. The authors share Ollivier Dyens’s views of technologicalreality and Kenny Goldsmith’s and Dirk Vekemans’s senses of the need torelate to non-human algorithmic potential.
this is part of the intro to Stephanie Strickland and Cynthia Lawson Jaramillo with video by Paul Ryan
chreod comments coming soon